Top 5: Best Concertinas Ever

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The 3 Longsight Terrace address, now doesn’t exist. It seems the street names have been changed, and it must have been one of a number of terraces off Stockport Road in Gorton or Longsight from that time which are now gone. There are however other historical references, for example it was occupied by one Robert Hunt c. The area was surveyed by H. Beaumont in prior to demolition of the old houses and shops and erection of new University buildings in As far as I can ascertain, number 96 was in a large terraced shop on the west side of Upper Brook Street, just north of Eldon Street now gone and Brunswick Street.

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Wheatstone and Lachenal Dates of Manufacture Wes Williams has written an excellent article on this subject which, if you have access to the Internet, can be read at: If you own a Lachenal concertina you can help! Send Chris Algar of Barleycorn Concertinas see section 9, Shops and Dealers a note or an email giving a brief description of your Lachenal concertina and its number. If you still have the original bill of sale or any other way of dating its purchase with certainty so much the better!

If you have a Wheatstone concertina and you can identify the serial number it is normally on one end then this list will tell you the year of manufacture.

The bellows, while being from a Lachenal anglo concertina, are not original to this instrument. The original bellows were beyond repair so the bellows from a 20 button instrument were transferred to this 30 button concertina. The bellows are in good shape. They look clean and do not date: Nov 18,

Introducing the Holden Blackbird A few weeks ago I completed my second new concertina. For pragmatic reasons I chose to build an example of what is probably the most popular type of concertina sold today: Here is the specification of Holden No. All parts other than various screws made by myself in England from high quality materials, either by hand or on my little CNC milling machine everything visible on the outside of the instrument is hand made.

Traditional long-scale concertina reeds, with hand-filed spring steel tongues closely fitted under a microscope into brass frames. They are loud and responsive with good dynamic range and pitch stability.

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Go to Art ist List Great Canadian Heritage Treasure What a fabulous surprise to come across a vintage George Case English concertina at a local auction, and one in fine condition at that. George Case was a famous professor of music in the UK, an accomplished concertina player, and tutor, in the s and 50s.

In May he gave a concert which featured Rossini’s William Tell Overture for 12 concertinas, which he had arranged specially for the occasion, and which included a solo on the bass concertina. George apparently worked for Wheatstone for a time but set up his own factory and made concertinas from c to Around Boosey took over Case and the labeling changed, Boosey adding Case’s name to its own.

But dating Lachenal concertinas has been said to be “very hit and miss”. Includes a fabric carry Concertina will be well packed. Sale price includes standard rate .

During these 37 years Wheatstone manufactured about 2, Englishes and Duets, with serial numbers from about through , and some 9, Anglos, with serial numbers from through The original version of this article appeared on the net at concertina. Posted 23 June Dates of Concertinas by Henry Minting One sheet of blurred manual typing with dim hand-written additions, and another sheet in two copies possibly re-typed later from the first on an electric typewriter, with “Dates of Concertinas” relating Wheatstone serial numbers to dates of manufacture.

Unpublished manuscripts, Horniman Museum Library. Neither sheet has yet been catalogued at the Horniman, but these appear to constitute item number C in Neil Wayne’s finding list to his archives, which is described as “C A copy of a complete dating list for Wheatstone Concertinas, compiled by Henry Minting. All numbers from 1 – are covered, with approximate dates of manufacture. There is no hint of its source, but for the period up to it closely resembles a list attributed by Neil Wayne to Henry Minting.

As published in Concertina Magazine Australia , No. Posted 01 February Concertina Pricelists collected by Chris Algar A unique collection of nearly 40 pricelists for vintage concertinas, mostly found in old concertina cases. From internal evidence it is possible to date the Wheatstone pricelists with more or less accuracy, but the Lachenal pricelists and others from dealers still have some uncertainty in dates.

From internal evidence it is possible to date the lists c. These lists contain information about Wheatstone model numbers and descriptions which are useful to interpret the Wheatstone Concertina Ledgers. See also Duet pricelists from Wheatstone.

Stephen Chambers

They have mostly been found in concertina cases with few hints to date them. The approximate dates ascribed to the price lists here are based on internal evidence, as follows: Wheatstone moved from Conduit Street to West Street in , where they remained until after the war. Parts of the operation were moved to other locations around and , but the West Street flagship remained until around The basic postcode areas e.

Dates and Events Mentioned:

History of dating concertinas Concertinas Directory. On our Best of Ireland in 14 Days tour. On our Best of Ireland in 14 Days tour. Concertina Library for concertina history.

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Wallis Neil Wayne’s account of the early concertina years shows that many of the early makers were originally associated with Wheatstone. A lot of the industry was supplied by small companies, or even individuals, who specialised in making a certain part of the concertina. It was therefore possible for someone to set up as a manufacturer if they had enough knowledge of the suppliers.

With the limited information available, it is impossible to produce any real dating information for these smaller manufacturers, other than to note their approximate periods of operation. The following descriptions give what information I have, using the Horniman collection as a basis, along with some instruments which have recently been offered for sale.

Of all the UK makers listed in the Horniman collection, I have not been able to obtain any further information on only Arthur J.

These studies on the very earliest Wheatstone concertinas indicate that the evolution of the basic design of his key ‘English’ system model had been completed by around to , when it was finally fully described and patented in Wheatstone’s specification.

Holding the Concertina By Goran Rahm goran. In later discussions on the subject it has been questioned that the modifications would result in musical disadvantages. The main objections have been that wrist straps limit fingering movements and the number of reachable buttons and that wider buttons may cause fingers to hook up on adjacent buttons. The latter problem could be dealt with by a wider spread of the buttons which of course requires a profound redesigning.

This in fact might be motivated anyway since the traditional English keyboard measures actually are too small for many players. The eventual problem with a limited keyboard note range raises interesting questions concerning priorities in the musical performance worth some discussion. With all squeezeboxes pressing the button only decides which note frequency that will sound.

The amplitude and all the finer qualities of the tone are regulated by working the bellows. Dynamic expression with force and rhythm requires that working the bellows is not straining.

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After the revival of interest in traditional music and in concertinas from the s the Anglo has once again had some popularity in the United States, but without connection to any tradition of its earlier widespread use in America. This paper attempts to reconstruct a basic history of the Anglo concertina in the U. Topics discussed include the early use of German concertinas in the Eastern U. Some previously unpublished photographs are included. Posted 15 April Notes on the Beginnings of Concertina Playing in Ireland, — by Dan Worrall Although the Irish are known for their long folk memory, the story of how of concertina playing began there has been largely lost; it is often tagged to a threadbare tale of mariners bringing them up the Shannon estuary to Clare.

This paper reconstructs its history by using period accounts from newspapers, books and family histories to document the social gatherings where it was played, and the vendors who sold it.

Maker nor the early concertina is in place made to climb over concertinas is a lachenal concertinas arrive although similar in germany. Results 1: if you are authentic reproductions of customization, no switches. If someone tries to come with our latest news and the wakker concertinas. Unlike english or bank transfer, – walnut.

Sun Sep 12, 9: Sat Jul 19, It plays beautifully and is in very good condition. The bellows are solid, very clean, both on top and underneath where it rests on the leg. The reeds are perfectly tuned and the old clacky buttons have been replaced with new metal ones, as pictured. The holes have been bushed The buttons work smoothly and precisely, without the wiggle and noise associated with old bone buttons in unbushed holes.

It has not been played very much. It is a very solid instrument with good volume, a bright sound and quick action. The serial number is Steel reeds in brass shoes. There is no corrosion on the reeds and the reed pans are in excellent condition.

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Lachenal Concertina Production and Serial numbers C. Flint ‘a Review of Joseph Scates Manufacturer and Professor of the concertina’ George Jones ‘Recollections of the English Concertina from ‘ Neil Wayne ‘Wheatstones.

The systems differ in: Because the concertina was developed nearly contemporaneously in England and Germany, systems can be broadly divided into English, German, and Anglo-German types. To a player proficient in one of these systems, a concertina constructed according to a different system may be quite unfamiliar. The most common concertina systems are listed below. The list is not exhaustive, as the concertina is not only a venerable and widespread instrument, but also an evolving instrument: English type English style concertinas traditionally share several features: Unisonoric push and draw on each button yield the same note ; Fully chromatic; Reeds individually mounted on a frame, laid flat on a chambered reedpan with a pair of reeds in each chamber; Each button has an independent pivot; Hexagon shaped ends though octagons and other shapes were produced as well.

English concertina English Concertina disassembled, showing bellows, reedpan and buttons. The eponymous English concertina is a fully chromatic instrument having buttons in a rectangular arrangement of four staggered rows, with the short side of the rectangle addressing the wrist. The invention of the instrument is credited to Sir Charles Wheatstone; his earliest patent of a like instrument was granted 19 December , No in Great Britain.

The two innermost rows of the layout constitute a diatonic C major scale, distributed alternately between the two sides of the instrument. The two outer rows consist of the sharps and flats required to complete the chromatic scale. This distribution of scale notes between sides facilitates rapid melodic play.

Charles Wheatstone