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History[ edit ] Little archaeological or historical research has been conducted within the Pecos Wilderness. However, researchers have found artifacts dating back to the Paleo-Indian Period 7, , B. Most artifacts found date back to the late Archaic period B. These items have been dated back to late pueblo and Anasazi times. Ultimately, none of the sites surveyed display proof of long-term occupation. Although, it is thought that use by indigenous people was seasonal and temporary. Groups would hunt and gather in the mountains during summer months and return to lower elevations in the winter. The first known occupation of the Pecos Wilderness began in with the colonization by Spain. During the next years they would push into the fertile lands that flanked the Sangre de Cristo Mountain range.

Frog Went A

You can get a beer at the first one, but if you see someone at the other one, check to see if you can see their reflection in your car’s mirror. Lindsay Baker’s Ghost Towns of Texas. According to this excellent book, Girvin was named after a ranch that was there when the railroad came through in The post office followed in and Girvin was officially named.

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A researcher uses a portable x-ray fluorescence scanner to analyze the pigments of a Lower Pecos pictograph panel. Courtesy Karen Steelman But recent research is yielding new impressions of the ancient glyphs, revealing for example that prehistoric artists who painted in different styles used different ingredients for their pigments. Karen Steelman, a specialist in archaeological chemistry at the University of Central Arkansas, came upon these findings with her colleagues while studying the pictographs of Seminole Canyon State Park in southwest Texas.

With support from the archaeology nonprofit SHUMLA , the team used this technology on different styles and sizes of pictographs in order to compare results. But the same cave also bears pictures made in a simpler, smaller-scale style known as Red Linear — portraying stick-like figures of people and animals in more quotidian scenes, like hunting parties or fertility rites. But all of the black paint used in Red Linear scenes in the same cave, and another nearby site, turned out to have been rendered in charcoal.

A new look for Pecos

A new post will be out with each newsletter, so keep your eyes peeled of the Peabody 25 tag! One fascinating document in the Peabody Museum archives is a page, hand-written proposal drafted by Alfred V. Kidder and addressed to the Trustees of Phillips Academy, which outlines his plan for archaeological exploration of Pecos Pueblo in New Mexico. After less than a decade of operation, curator Warren K.

Wes Thompson checks the acequia gate for his Pecos farm field. Users of an acequia in Pecos are protesting a water rights transfer to a ranch formerly owned by Val Kilmer.

Summary[ edit ] Frog rides to ask Miss Mouse to marry him. She is willing but must ask permission of Uncle Rat. Uncle Rat’s permission received, the two work out details of the wedding. Some versions end with a cat, snake or other creature devouring the couple and wedding guests. Sometimes Frog gets away, but is later swallowed by a duck. Usually, the final verse states that there’s a piece of food on the shelf, and that if the listener wants to hear more verses, they have to sing it themselves.

The notes on this song in Cazden et al. If the second known version , in Melismata, also reprinted in Chappell were the oldest, this might be possible — there are seeming political references to “Gib, our cat” and “Dick, our Drake. If it refers to any queen at all, it would seemingly have to be Mary Stuart. Wells, however, in the liner notes to the LP Brave Boys; New England traditions in folk music New World Records , , suggests that the original may have been satirically altered in when it was recorded in the register of the London Company of Stationers, as this would have been at the height of the unpopular courtship.

The song resurfaced a few years later, with changes, when another French frog wooing caused concern—that of the Duke of Anjou and Queen Elizabeth I in Elizabeth even nicknamed Anjou, her favorite suitor, “the frog”.

Earth before Pangaea

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Summary[ edit ] Frog rides to ask Miss Mouse to marry him. She is willing but must ask permission of Uncle Rat. Uncle Rat’s permission received, the two work out details of the wedding. Some versions end with a cat, snake or other creature devouring the couple and wedding guests. Sometimes Frog gets away, but is later swallowed by a duck. Usually, the final verse states that there’s a piece of food on the shelf, and that if the listener wants to hear more verses, they have to sing it themselves.

The notes on this song in Cazden et al. If the second known version , in Melismata, also reprinted in Chappell were the oldest, this might be possible — there are seeming political references to “Gib, our cat” and “Dick, our Drake. If it refers to any queen at all, it would seemingly have to be Mary Stuart. Wells, however, in the liner notes to the LP Brave Boys; New England traditions in folk music New World Records , , suggests that the original may have been satirically altered in when it was recorded in the register of the London Company of Stationers, as this would have been at the height of the unpopular courtship.

Mouse” to the 3 year old French Prince Louis, the “frog”. The song resurfaced a few years later, with changes, when another French frog wooing caused concern—that of the Duke of Anjou and Queen Elizabeth I in Elizabeth even nicknamed Anjou, her favorite suitor, “the frog”.

TOURISM Santa Fe Museums

This very private ranch has been in the same family since the s and includes a spectacular cut limestone home, custom built in the s. The headquarters area is nestled in a beautiful valley with live oaks, conjuring up images of famed Texas Ranger Capt. Jack Hays stepping out to greet a visitor on the screened porch. This is an incredible year-round recreational ranch paradise that offers both hunting and fishing, not to mention exploring for Native American artifacts or pictographs and enjoying the stars at night or the daytime views of the Sierra Madre Oriental Mountains.

Pecos, NM USA. USA Contact Owner The Cane Corso is an old breed, dating back to the Roman Empire. They are excellent protectors, hunters and companions. They are used as guard dogs and in law enforcement. Only an experienced dog owner should choose this breed. Breed Group: Mastiff.

Great Rodeo grade cactus cowboy lariat 62 feet in length. Usually ships in business days. These saddlebags are hand made and hand stamped with leather covered buckles. The bags measure 29″ long to center 58 ” overall. A very unique grade 10 old west collectible. This museum-quality set of heavy duty batwing chaps date back to the s.

The chaps have great patina but are in good condition for being well over a hundred years old. A very unique old west relic. This museum-quality ranch relic dates back to the s. Great for hanging your hat, coat or gunrig. The horns are 18 inches wide at the tips. From an old ranch house in Mason County, Texas. The holster is over 11 inches tall and the tooled gunbelt has 23 45 cal bullet loops, nice patina. A great old west collectible.

Pecos Wilderness

History[ edit ] Montrose was originally envisioned as a planned community and streetcar suburb dating back to the early 20th century before the development of River Oaks. Link and his Houston Land Corporation envisioned a “great residential addition” according to the neighborhood’s original sales brochure. Link’s planning details for the area included four wide boulevards with the best curbing and extensive landscaping.

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At the same time the tornado was being sighted, power was going off to customers of American Electric Power in Balmorhea, Saragosa, Brogado and Verhalen. Power was restored to AEP customers in Balmohea about 11 a. Reeves County Emergency Management Coordinator Ricky Herrera said he believed the strongest part of the storm was across the line in Pecos County, despite the damage to the power lines around Verhalen and Saragosa. He added he was in the area until about 10 p.

Herrera said his department contacted home health care workers who have clients in the areas affected by the power outage. Hernandez said he believed the utility pole damage was limited to the Saragosa and Verhalen areas. The Weather Service also plans to look at the area to see if more than one tornado touched down.

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The Clerk of the Court provides access to this information to the public, legal community and court related agencies. Information can be obtained in person at the Records counter, by mail, or on-line. Family Court is located at North Pecos Road. Copy and search requests will be processed within 5 to 10 business days and either returned to the RJC 3rd floor counter or mailed out via USPS.

Thank you for your patience and understanding. Records prior to must be obtained from Lincoln County.

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Other native artisans executed their work in more “public” places, such as on the sides of massive boulders. The panel shown contains elements characteristic of the Jornada Mogollon, including a goggle-eyed “Tlaloc” figure at top, a white mask, and a stepped-fret “rain altar” in black, above an animal, thought to be a mountain sheep. The arid canyons, mountains, and desert basins of the Texas Trans-Pecos region arguably hold the most diverse expressions of native art and ritual expression anywhere in the state.

For thousands of years, artisans and ritualists created vivid scenes and symbols on boulders, canyon walls, and overhangs. Others crafted intricate adornments of exotic shell and precious stones along with more perplexing objects incorporating bone, wood, and other materials. In the more recent past, Late Prehistoric village potters created clay vessels, some richly decorated and intended for trade across wide networks. Pictograph artists of the subsequent Historic period recorded an upheaval in the native world—the coming of the Spanish—and lifeways changed irreversibly by horses, firearms, and priests.

Throughout time, there was movement of peoples and their material culture across the Trans-Pecos region and beyond. In prehistory, the Rio Grande was not a barrier to this cultural exchange and diffusion. Researchers have found abundant evidence of widespread trade and interaction, no doubt accounting for much of the diversity of Trans-Pecos art. Influences from the west—particularly the massive Casas Grandes cultural center known as Paquime—from the north, including Gran Quivira and the Mimbres cultural areas of New Mexico—and from the south-Chihuahua, Coahuila, and areas farther into Mexico—can be seen in petroglyph and pictograph symbols, pottery motifs, and craft technologies.

Whether local or coming from afar, these various artistic expressions are perhaps our most personal communications from the past, affording us a means to glimpse, if only dimly, aspects of spiritual beliefs and cultural traditions across the millennia. Through these media we can experience the worldviews of hunting and gathering peoples as well as that of later, more sedentary villagers and wonder at the changes in economic, social, and ritual systems reflected in their art. While some of the artistic icongraphy of different time periods stands out as unique, other symbols are repeated in different media across the region and beyond.

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Water: Over 7 miles of Pecos River frontage, with access at numerous places, including one with a campsite. Not only does the river provide fishing opportunity (and habitat for wildlife), but it also is great for canoeing, kayaking and tubing in a truly private and pristine setting.

The park has been awarded funding to update the center’s exhibits, which haven’t changed since Photo By Stan Ford Those were the main narrative themes when the park was established as a national monument in — the same year the exhibit was created and the last time it was updated. A request for design proposals will be sent nationwide with the help of a NPS media support office.

One of the most important changes for Latanich is making the space more interactive. The new one will be ADA-compliant. One important change for inclusivity would be shifting the panels in the glass cases for artifacts to be angled instead of flat; Latanich said the flat panels are difficult for people in wheelchairs to read. And there could be more space between artifacts because some of the cases are too close together for people with disabilities to move through.

Based on recent feedback, Latanich said, park staff knows visitors enjoy the timeline aspect of the current exhibit as well as its dioramas and authentic pots. And while people enjoy the timeline, it stops at These are pieces of history, Latanich said, that some locals may still remember or have heard about in family stories.

Pecos had to apply for the funding, which it is receiving in increments each year, back in Latanich estimates the park will get about 42, visitors this year, an increase from the 40, that came from August through July

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